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what's more, the gallery says its curatorial aim is "to stimulate, innovate and challenge the visual arts of the world by showcasing artists, artists' practices, and exhibitions across a range of disciplines".

the heavy hitting collectors who put the cat amongst the pigeons at frieze, tate modern and baltic are absent from this year's edition of the fair. edwyn forde, co-founder of the pallant gallery in london and former director of the king's collection, is already in bangkok attending a conference organised by the thai fine arts museum on contemporary art at risk. he is reviewing the situation in the region and is committed to being a voice for those of the region's underrepresented institutions. he says that the tourist influence is showing a backlash against the heartless marketing of the global art market, and that the situation needs to be addressed.

this year, however, the fair will be most notable for the preponderance of international galleries who are showing in dubai for the first time. the rumours are true, says antonia carver, the fair director, that the galleries who are not showing in dubai are "desperate".

while some exhibitors may be leaving the fair, carver says the arrival of renowned middle eastern gallerist haunch of venison is one of the fairest trade reports she has ever seen.. the uk market, which had seen a business model with fewer exclusivity clauses, had so far been thriving in dubai. haunch of venison has previously been one of the most well-known names on paradise row.

this year the fair has a special exhibition space called alserkal where exhibiting galleries can exhibit for free. this section of the fair is free to attend and is the only place in the fair where galleries can exhibit at no cost. gallerist and curator gill rust shows that the international scene is robust and growing in dubai. 84d34552a1