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they finished the album in a span of three months, and a year from the time the band agreed to go into the studio, everyone was back at it. once again malakian turned to his ipod to hear beats for the songs. malakian had spent time in bands and recorded scores of records in a past life and has an eclectic taste in music. he spent two years with the mars volta and has been jamming and playing dj-ing his own sets since the early 2000s. when the band started to seriously shape the new material he started obsessing over a beat he heard on the radio. at first he had no idea what it was, but during a yoga class he listened back to it and started working on the song. the song evolved as he worked and it became a kind of clarion call against extremist groups like isis, and a testament to the dangers of radical islam, he says. it took on a new meaning for me as im living in america now.


the band spent just more than six weeks in the studio, mostly working 12-hour days on the material. the last time they were in the studio was in 1998 to record a soundtrack for an episode of the inbetweeners. during that session malakian and dolmayans pals teased the guitarist about how he would re-record guitar parts over a flanger plug-in without their knowledge. for this session, malakian opted to track his bass parts simultaneously with his guitars.


i never wanna do that again, malakian says. im just not gonna do that to my bass again. it wasnt until that session that i realized i wasnt gonna record a bass part no more. i didnt ever want to do that to a bass again. my bass is really the heart of a song. and im a drummer, so there is a lot of time where i feel like i dont really have anything. i just have a lot of drums and a lot of time. 84d34552a1