the_art_of_sampling_jj_jeczalik__8rtj0 v1.0.0

The Art Of Sampling Jj Jeczalik Download

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the process of sampling and the song-writing process are very much the same thing. i think a lot of people who started sampling had a great idea of what they wanted to hear, but they didn't have the tools to get it. the fairlight has helped a lot of people, and allowed them to make records. it doesn't matter what your opinion of the fairlight is, you've got to acknowledge the fact that it revolutionised sampling and helped to take it to a whole new level. it's amazing what you can do with it. you can just take a drum loop and play it again and again. you can take a kick and a snare and create a vocal effect that would have been impossible before. it's all about using it as a tool and not about what you're creating. once you start worrying about it, you'll fail.

but by far the most important release, and certainly the one of most interest to library owners, is the art of samplingcompilation. this is the kind of release that you can bang your head against a wall trying to understand. but as a sampler history, it really is important for readers to get hold of, because it lays bare the development of sampling in the '80s and '90s. most impressively, the piece titles are noted, and the music is archived. so if you want to know what a jeczalik track is called, its here. i was amazed to find it and i was surprised that its so well put together.

one of my favorite parts is that, as i was checking out the track listing, i found myself getting a feel for where the music was coming from. this is because, unlike the sample-heavy output of the label, i could hear the raw, unprocessed sound and the very human way the '80s pushed the art of sampling forward. for example, all the glitch pieces were really stunning. ive always been partial to the 'barbarian' folkloric computer music of the '70s and early '80s, and here we have a whole collection of pieces from the past that were almost instrumentless. and the tracks that i had heard sampled and excerpted in the periodicals and compilations had a clarity and definition that just werent there before. and of course, this is just one of many examples of the kind of music that is here. from the heavy and rhythmic output of the uk groups to the more cryptic, experimental nature of the usa output, it reveals a lot about the '80s. 84d34552a1